Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | Allegory of Happiness | The Panciatichi Holy Family | Portrait of a Lady | Venus Cupid Folly and Time | Holy Family |
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louis marcoussis
Louis Marcoussis, formerly Ludwik Kazimierz Wladyslaw Markus or Ludwig Casimir Ladislas Markus, (1878 or 1883, Warsaw -- October 22, 1941, Cusset) was a painter and engraver of Polish origin who lived in Paris for much of his life and became a French citizen. After studying law briefly in Warsaw he went to the Krakow Academy of Fine Arts, where his teachers included Jan Stanislawski and Jozev Mehoffer. Moving to Paris in 1903, he spent a short time at the Academie Julian under Jules Lefebvre. The first time a painting of his was shown in a major exhibition was at the Salon d'Automne in 1905, and over the next quarter-century his work was shown in many other important exhibitions, in particular at the Salon des Independants and the Tuileries. He drew cartoons for satirical journals, as he had earlier in Poland. In Paris he needed to earn his own living, and also took on other drawing and illustration work. In the cafes of Montmartre and Montparnasse he got to know Apollinaire, Braque, Degas, Picasso and many more artists and writers. It was Apollinaire who suggested Markus' French name, Marcoussis, after a village not far from Paris. Impressionism influenced his early paintings, but from about 1910 he was part of the Cubist movement alongside other avant-garde painters like Picasso, Braque and Juan Gris. His work was shown in exhibitions in many European cities and in the US. In 1925 he had his first solo exhibition in Paris. As well as painting still-lifes and musical instruments in the Cubist manner, he also produced portraits, views of Paris, and images from the Breton seaside. From 1930 onwards, he concentrated on printmaking and illustration, including work inspired by Apollinaire's Alcool, Tzara's Indicateur des chemins de cœur, and Éluard's Lingeres legeres and Aurelia. In the late 1930s Marcoussis collaborated with Spanish surrealist Joan Mire and taught him etching techniques. He also taught at the Academie Schlaefer. In 1913 he had married Alice Halicka, a painter who came from Krakow. Their daughter Malene was born in 1922. Marcoussis served in a Polish company of the French Foreign Legion from 1914-1919. He became a French citizen, while also staying in touch with Poland, both personally and professionally. He did not generally talk about his Jewish ancestry, and his family had converted to Catholicism, but today Marcoussis is often described as a Jewish artist. After Nazi troops arrived in Paris in 1940, Marcoussis and Alice moved to Cusset near Vichy. He died there on 22 October 1941
Victor Boucquet
Victor Boucquet, a Flemish painter, was born at Veurne in 1619. He was the son of Marcus Boucquet, a painter little known. Descamps supposes he must have visited Italy, as his works exhibit a manner that partakes little of the taste of his country. He painted historical subjects, and was also esteemed as a portrait painter. His works are distributed in the different churches of the towns in Flanders. They are well composed, and, like those of most of the artists of his country, are well coloured. In the great church of Nieuport are two altar-pieces by this master, one of which, representing 'The Death of St. Francis,' is particularly admired; and in the town-house there is a large picture by him, considered as his principal work, representing 'The Judgment of Cambyses.' The principal altar-piece in the church at Ostend is by Boucquet: it represents the Taking down from the Cross. He died at Furnes in 1677.
Peter Buell Porter
(August 14, 1773 - March 20, 1844) was an American lawyer, soldier and politician who served as United States Secretary of War from 1828 to 1829. He graduated from Yale College in 1791, studied law in Litchfield, Connecticut, was admitted to the bar, and commenced practice in Canandaigua, New York in 1793. He served as clerk of Ontario County from 1797 to 1804 and was a member of the New York State Assembly in 1802 and again in 1828. In the fall of 1809, Porter moved to Black Rock, New York and was elected as a Democratic-Republican to the Eleventh and Twelfth United States Congresses, serving from March 4, 1809 to March 3, 1813, but declined renomination. During his service in Congress, he was a leading figure among Congressional "war hawks" and Chairman of the Committee that recommended preparation for war with Great Britain. At the same time, from 1810 to 1816, he was a member of the Erie Canal Commission, a commission on inland navigation established in 1810 by the New York state Legislature to survey a canal route from the Hudson River to the Great Lakes. During the War of 1812, Porter was initially quartermaster general of the New York State Militia from May to October 1812. He participated in and criticized General Alexander Smyth's abortive operations against British Canada in 1812, culminating in a bloodless duel between the two. The historian John R. Elting wrote of the duel, stating "Unfortunately, both missed."[1] He later raised and commanded a brigade of New York militia that incorporated a Six Nations Indian contingent and led his command with distinction. For his actions, he was presented a gold medal under joint resolution of Congress dated November 3, 1814 "for gallantry and good conduct" during the Battle of Chippewa, the Battle of Niagara, and the Battle of Erie. Porter was Secretary of State of New York from February 1815 to February 1816. He was also elected to the Fourteenth United States Congress. Although his term in Congress began on March 4, 1815, the actual Session began only in December, and he took his seat on December 11, 1815. On January 23, 1816, he resigned, having been appointed a Commissioner under the Treaty of Ghent, which caused a controversy as to the constitutionality of sitting in Congress and holding this commissionership at the same time. In 1817, his political friends of Tammany Hall printed ballots with his name and distributed them among their followers to vote for Porter for Governor of New York at the special election which was held after the resignation of Governor Daniel D. Tompkins. DeWitt Clinton, the otherwise unopposed candidate, was fiercely hated by the Tammany organization, and Porter received about 1,300 votes although he was not really running for the office. Porter became a regent of the University of the State of New York in 1824, and served in that capacity until 1830. From May 16, 1828 to March 9, 1829, Porter served as Secretary of War in the Cabinet of President John Quincy Adams, and was an advocate for the removal of Eastern Indians beyond the Mississippi. He moved to Niagara Falls in 1836 and was a presidential elector on the Whig ticket in 1840. He died at Niagara Falls in 1844, and was interred in Oakwood Cemetery. Fort Porter and Porter Avenue at Buffalo were named in his honor.